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This is…

[A man’s face appears, expression an odd mixture of the sardonic and amiable, with perhaps somewhere a buried uneasiness. His eyes speak of unbelief and an energy without direction.] This is the strangest book that I have ever seen. Consider my very conception of books boggled, beaten into an utter absence of understanding. I have seen a book made… What is it they call this, again? No matter, let us say ‘made monstrous,’ reshaped to suit an unearthly purpose. Am I speaking to you? I’ve no idea who you are, or whether you exist. Yet let me speak! For there is no thrill in life equal to the sound of one’s own voice.

Let it be know to all naysayers and reluctant theorists, to every doubting Thomas, that we truly do exist in the most glorious of worlds, where a man may perish one moment and roam free the next! How foolish we are to believe we might die, how foolish to fear the end when every end is a beginning! Why, just think, we may continue in this manner forever, cycling from one life into another into another, and never forgetting, and never finding darkness. The scholars of optimism would call us creatures of eternal light. Why have we wasted such years in shuddering before the great god Death, when we might in rapture have praise the god Unending?

Will it never, never end. [He blinks, appears discomforted for an instant, than shrugs.]

And here stand I, believer in nothing, adherent to no doctrine. You may count me as lost as any other man, here and elsewhere, now and forever. I am a man without port, a creature lacking in connection. I belong to this world no more than to any other… ‘This world.’ I’ve yet to know what this world is, or if it is a world; if I may be classed as alive, dead, mad. What of these titles? Call me exile, call me one of un-belonging. I will answer or ignore to my liking.

But while we’re at it, a drink? What do you say? Ah, I would give my kingdom for a bottle of wine. Of course, my kingdom amounts to a thimble—That isn’t so, I haven’t got a thimble. But I would gladly take the wine, anyway. Come, lend a hand. If you must have payment, let me serenade you with a harangue or two.

I will tell you what most surprises me: that it is not emptiness that waits beyond, but more life, or whatever we would feign call life. This, well… This puts all of my knowing to shame. [Grantaire smirks, any sign of unease covered.] But that I am accustomed to, for who can trust to knowledge? It has been a joy speaking to you; we must do this again sometime. [With that, the screen blanks, and he is gone.]

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It doesn't take as long as he had expected to find the place. He does stop to ask for directions and a bit of money, and somehow secures both. Find an open face, play your cards right, and it is never too difficult to secure a favor.

The city itself is too much to take in, really. Everything jumbled, the architecture makes little sense, and strange contraptions barreled through the streets. Almost everything and everyone feels slightly out of place, somehow. And nothing quite clicks in. 'What is this place. What is any of this.' Grantaire doesn't try to make everything fit into sense (or whatever can be classed as sense), but allows the input to pass through his mind and stick if it will.

Upon reaching the cafe, Grantaire purchases a bottle of wine, searching for the girl. He cannot recall an exact impression, but surely once he sees her...

She finds him first. And when Grantaire turns, he does find a flicker of recollection, though he might not know her if she hadn't spoken first. There is both more and less life to her, and she no longer looks the part of a down-and-out beggar. She looks... Well. Could perhaps be called attractive, though he notes this at the back of his mind. What he finds familiar is a sense--in her face, mostly, but perhaps discernible in her very stance--of some war between oppression and vitality.

For his own part, Grantaire is something of a mess (not that this is particularly out of the ordinary). His final hours in Paris had been filled with drinking and then sleeping off said drink while the battle raged outside. Add to that a worn (but, Grantaire had been glad to find, well-cut) coat obtained shortly after arrival, and yes, he was a little more mussed than usual.

It would be nice to have his own jacket, but alas, it is back in Paris, all alone and without him. How sad to be a jacket and alone.

"M'lady."

He returns a mock curtsey, then pats her on the shoulder. "It is Grantaire." There is much to ask, much to say, and he is impatient, even eager to hear her news. "Shall we?"

She sits down immediately, never one to wait for politeness. In hindsight, she reflects, she ought to have let the gentleman sit first, but that's by the by now. She sits her own tumbler of gin on the table; it's cheap smelling, and probably cheap tasting, but it does the job just as well as the good stuff.

"You don't have to call me a lady, M'sieur Grantaire. I ain't a lady. I'm just 'Ponine to everyone here abouts - and in Paris as well. I like it when people call me that - when they remember."

It means they've taken the time to listen to her and take notice of her. It means she's just a bit more real, a bit less invisible.

"Marius used to remember... it was so lovely when he was here, you know? Such lovely things happened when he was here. I had a new dress, and jewellery, and I went to the ball and danced all night. And I had a room all to myself and he gave me dresses - and a hairbrush. I hadn't had one for years and years - since I was a little girl. I had to sell it all when M'sieur Enjolras came though and M'sieur Marius went."

Why in the name of anything is the girl talking about dresses and dancing? Grantaire half-listens, waiting for something of import as he downs one glass of wine, then another. He fills the glass again, and the world begins to seem a little more sensible, or at least vaguely navigable.

Marius and the girl dancing. That is... precious. And an idea occurs: was this the girl that Marius been fixated on of late? (Of late, over there...) The thought didn't seem to fit, but perhaps Grantaire was missing something. Or perhaps Marius had moved on when he arrived in this world. All in all, Grantaire didn't care so very much. Any actual questions ran more along the lines of where and how Marius had gone, how this girl had arrived, and...

Happy occasion: the girl finally stopped speaking long enough for him to get a word in. "And where is Enjolras?"

Eponine's expression clouded when Grantaire asked. She had sensed, of course, Grantaire's impatience with her rambling, but she couldn't help it. Those memories were the most precious thing she owned, and she wanted- needed - to show it off.

Her reply is a little stiff, then. Of course the M'sieur is only interested in Enjolras.

"He lives in a place known as the 'House of Awesome', or the HoA - I think awesome means good, because it is most surely the most magnificent house I have ever seen. There are marble floors, and a kitchen and a dining room and a sitting room and bedrooms. Oh, and the water runs out of taps for baths - and it runs hot - and you can flick a switch and lights come on and there are such things to make crumbs of your food and to heat things up without flames, and things that make bread jump, and a cupboard that makes ice."

She tries her best to sound charming, to not drop her letters, so her speech sounds a little unnatural. She remembers her odn amazement at technology here; the material things seem somehow more important than the men who lied or brushed off her help.

"My old boyfriend, Monsieur Deadpool lives there. He has M'sieur Enjolras."

She drains her gin with a grimace, though itis difficult to know if the taste or the conversation topic offends her more.

" You can't see him. Do you know where the Starter Apartments are?"

He notices a change in her voice, a shifting in her eyes that may suggest... What? Distance, perhaps. Fine. Let her pull away if she pleases.

The girl certainly does like to talk. It is endearing, almost, and Grantaire smiles slightly as she speaks in detail and he works at draining the third glass. Her chatter isn't unpleasant, after all. A bit besides the point, but who is he to censure any speaker for embellishment?

The information itself he finds peculiar at first. Fervently as Enjolras had championed the cause of the poor, he had never (so far as Grantaire had observed) lived as one of them; most of the Friends of the ABC had held the funds to live rather well. Even so, this house seems absurdly extravagant, and Grantaire has a hard time suiting Enjolras to such a dwelling.

Then the girl offers an obscure indication that unseats all of Grantaire's suppositions. "He... has--What?"

For a moment he stares at the girl, then looks away, considering, before returning his attention to her. "You must pardon me; I am woefully slow of mind before my second bottle. But if you would care to explain what you mean by 'has him,' I would gladly listen."

Edited 2012-12-19 08:00 (UTC)

"What'll you give me?"

The words are out before Eponine can stop them, a knee-jerk reaction to people like Grantaire who ask for her help. Her cheeks colour, and she picks up her glass, realising it's empty only when she raises it to her lips.
She puts it down and mutters, "What the hell?" before staring back at Grantaire, her mouth pressed into a hard, thin line. She wants to retract her question, but she doesn't know how to without sounding clumsy and ignorant - and that she will not do in front of such a fine speaker. So she sits and waits, hunched over and determined. She may as well make some profit from Enjolras, after all the losses he has caused her.

Well. He hadn't expected that. Perhaps he ought to have, but this is a different situation, and the girl appears to have found some place for herself...

And why should anything in life change so very much?

Watching her steadily, he allows the silence to sit for several moments, then smirks. "You surprise me, Lady 'Ponine. But do tell, what is it that you would like of me? I have this jacket; newly acquired, and I might be convinced to part with it. The remainder of this wine I claim is my own--there, I will not yield--and I will keep hold of enough money to purchase one more bottle; the rest is yours." He pulls out the remaining cash, reserves what seems an apt amount, and tosses the rest to the girl.

"Or is it something else that you require? A song, perhaps? A poem in your honor? I would advise you not to request a favor, for I am notoriously unreliable. And ineffective. Do you require someone to talk at you? Or... Ah. Perhaps you require someone at whom you may talk, someone to whom you can pour out your feelings. Someone who will assure you that yes, yes, dear Marius held you to his heart, and no doubt waits for you still."

Edited 2012-12-19 08:23 (UTC)

Awkward. She feels so awkward.

Eponine finds she can't hold Grantaire's gaze as he suggests prize after prize, so she stares down at her bare feet peeping out from below her maid uniform.

"I don't -" she begins to whisper, but stops as Grantaire mentions Marius.

"Don't, M'sieur.Don't tell me such lies. M'sieur Marius - he would not - not with a girl like me."
Somehow, talking of Marius makes her look smaller, younger than her years. There's a sort of innocence to Eponine, unpractised as she is at hiding her pain over Marius from anyone but the man himself. But it's tempered with the harsh reality that Eponine knows; even here, she works every minute she's awake, eighteen to nineteen hours a day, and comes away with a pittance. But how is Grantaire to know?

"I ain't a lady, M'sieur, and if you please, I don't want to be made a mock of... Keep it. I don't want it."

She pushes the money back to him, before removing two wallets from her apron that are obviously not her own. "Wine, you like? I will buy you wine, and then I will tell you of your M'sieur."

...hell. It isn't the first time that Grantaire has driven a dart too hard, not by far. Still, he feels a slight shock of regret as he watches the girl fall so quickly to pieces. The day has been too strange, and she is too obviously the sole connection with his familiar life, for this exchange to be so easily shrugged off. He has been touched somehow, even as he finds the situation humorous. (...the thought of anyone so deeply devoted to Marius and his foggy-headed ways, the thought of a ragged girl following the foggy-headed one in hopes of affection, the thought of her love carried into another world and continuing on after Marius had departed, the thought of having this conversation and of feeling that regret...)

Fine. Say something less abrasive, this time. "You need not take what I say to heart; I am something of an ass, trained solely in the art of mockery. My words are jests, my barbs mean little, and my sense is often absent." Close enough to truth, anyway.

Edited 2012-12-19 09:00 (UTC)

"All the same, M'sieur..."
She shakes her head and stands up. "Don't. Not of M'sieur Marius."

She walks quickly to the bar without further ado, wrangling for wine and gin. She comes back to Grantaire monents later with a new bottle of wine and another tumbler of gin for herself.

"It's a strange place, this. It is like France but the monsters in the shadows are not my father's gang and me, but real monsters of nightmares and that strange time when you are awake but so dizzy from cold or hunger, M'sieur, that nothing is quite real. People will give you a job too - but you must be careful who you talk to, M'sieur. We are in trouble, M'sieur Enjolras and me. You should be careful...
There are two - they callthemselves companies - but they do not have businesses. There is SERO - they do scientific things; they have clever people. But AGI are worse. They run the clubs and bars. But M'sieur, here, slavery is allowed. There is a brothel here; it is known as XXX and there some girls are paid. But some are slaves. It was good money, there, if you didn't think on it..."
She sounds wistful. As much as she had loathed herself, she had been fully independant and doing okay.

"I told your M'sieur and - well, we have both heard him talk before. He would not wait for ms to help, M'sieur. And he was caught. And if AGI catches you, they sell you as a slave. A man named Loki bought M'sieur. But he is gone and Deadpool has him. And he let me get in trouble. I tried to help him, but I was found too, and searched and... And I lost my job there. No money, you see."

Grantaire isn't about to refuse the wine, nor the accompanying information.

He has heard some of this: the manifestation of nightmares (a notion that makes little sense, but in this situation, he cannot truly discredit it), the entities that appear to steer life in the city. What he hasn't yet heard are the details, and Grantaire slowly begins to comprehend some extent of this city's corruption. He notes, too, the girl's reference to what must have been her line of work, but the news that follows arrests his attention.

Because there it is: Enjolras faced with the actuality of slavery. Not a label slapped upon the lives of the poor, but a truth of condition. Of course he wouldn't have remained silent or waited. And to discover this just after inciting his own revolution, just after giving his own life... Fire will never cease to spread, and Enjolras will never cease to fight; this much, Grantaire firmly believes.

Then another piece of news. Enjolras sold as a slave.

How could that even...

Grantaire laughs, but the sound of it is tinged with something more like pain. "Who among us cannot say that life--here referenced as a sentient being--has not a sense of humor? Ah, Enjolras..."

As he continues, Grantaire raises his voice. "I for one am in awe: have we managed to find ourselves in a world still more repugnant than our own? I shouldn't be surprised, knowing all the ghastly ingenuity of humankind and its eternal evolution." Now he stands, addressing no one in particular. "I congratulate each and every one of you--of us, I should say, on our fine achievements. From one roil into another, is that not the way? Wherever and whatever else we may be, we are the gods who spend ourselves in crafting our unending destruction. What marvelous beings, all of us!"

Edited 2012-12-19 18:57 (UTC)

Eponine listens in confusion for some seconds. Why is Grantaire laughing? And what does he mean? But as he stands to address the pub, it becomes clearer, and Eponine immediately tries to tug him down at once, alarm clearly written in her features.

"M'sieur, you must be quiet," She hisses. "You cannot say such things here. You do not know who is listening. Do you wish us to be arrested?"

"It is a bad place, M'sieur, and there are bad people. People who hate us 'newcomers' - any excuse and we are to be in prison. Their prisons are nicer than France's, though. But you must not end up there. You are a nobleman. It is not right. Please, not another word."

He takes a swig from the bottle before returning--hard--to his chair. "Of course, of course." The room around hangs out of focus, and Grantaire has to work to pull back the pieces. He rubs his head, pours another glass, drinks. "You are--Caution. We are on all sides... surrounded."

Although Grantaire holds the capacity for discretion, he doubts that he can maintain hold of it in these circumstances. "It would be wise to continue this elsewhere."

"Elsewhere?" She drains her tumbler; it makes her bolder in front of Grantaire, plump enough to suggest,

"You may come back to my lodgings - to Madame Hattie's house? We can talk in private there, and it is not too far away."

In all honesty, she's just glad that Grantaire's sat down again, and stopped talking about dangerous topics. But - what will Hattie think? Eponine decides she doesn't care; she does enough for Hattie for her mistress to allow her a liberty.

"Will you come with me? Or would you prefer the Newcomer Flats; you will have a room there?"

She picks up his almost-full bottle, to conceal it beneath her apron. Waste not want not and all.

"Yours." In part because he doesn't know where his own room is (if he had managed to secure a room; he wasn't clear on the details) and doesn't want to be delayed by this uncertainty. He will try to remain silent on the matter pressing at his mind, but won't be able to hold silence for long. Not while he is keenly curious. Not while he is actually concerned.

Sense argues that it is best not to be captured and bundled away. Sense says that if it happened to Enjolras, if Enjolras has become a slave...

What is that, what is that, what is Grantaire to make of it?

He almost protests when the girl snatches the bottle, but holds his silence after realizing that she means to bring it along. All right, then. As long as she hasn't made some grab to claim it for herself. (Never mind the fact that she purchased it; he needs and damn well deserves it.)

Leaving, he glances around and tries to make note of faces, location. Then the tavern is behind them, and Grantaire finds that already he has largely forgotten the place and its patrons. The world around retains the blurred quality of incomprehension, his mind elsewhere, chasing after problems that it cannot patch.

To ground himself and to keep from venturing into the topic on his mind, Grantaire poses a question, an attempt at casual speech. "Tell me of this Madame Hattie. Is she a creaky crone, a buxom entrepreneur, perhaps a swindler in or out of disguise?"

Once outside, Eponine beckons Grantaire close.

"Follow me close, M'sieur, or you'll lose me. Unless it is that you do not mind being seen in my company?"

She begins to walk.

"Hattie... Well, she is a lady, and she makes me call her so. She has blonde curls and blue eyes, and she wears lovely clothes. She can be lovely, when she likes, but she can be horrible too. She gave me a room but she makes me work for nothing. And she marched me to my third job so she does not have to provide. She can be spiteful and call me names; she likes me to remember I am poor. But she lent me a dress for the ball and her own jewellery, snd she teaches me to be a lady."

He shrugs at her question. "I've no reason to care one way or another." Grantaire had scarcely cared what others presumed in Paris, and the opinions of others in this new world are still more inconsequential, if anything.

The woman in question sounds not too far removed from the social aspirants that fluttered so vacantly through Paris, carping about the latest ball or the hold on their newest dress. "Madame Hattie sounds like a thoroughly charming harpy, and I've no doubt you draw considerable satisfaction from her employ. Such fulfillment she allows you: the impression of becoming a lady! Do you enjoy writhing in her claws? Or is it indeed the sheer pleasure of playing dress-up that draws you?"

"What?"
Eponine peers down an alleyway.
"You don't mind, do you? It's quicker not to go through the real streets."

She sets off down it, regardless.
"I do not writhe in her claws. But dress up... You know how long it was since I had a new dress before I came here? That old skirt was my mother's. A woman died in that blouse I had before it came to me. And I had worn those for two winters already. M'sieur, it is natural for girls to long to be beautiful, or at least well dressed. So do NOT scorn me. If I were a lady, grand men would love me. So do not scorn me. Do not."

She turns back, obviously upset. "She thought I had murdered her sister - I did not, M'sieur - but it was work or the guillotine - or perhaps here, gallows. I do not know, and I had no wish to find out. But My Lady - I hate that - she is not so bad."

Grantaire follows the girl without hesitation. In a city such as this, the allies seem scarcely stranger than the streets. It occurs to him that he ought to feel some concern; following after a temperamental girl with a heavy chip on her shoulder, winding through dark and unknown passages, might be seen as asking for trouble. But truly, what would it matter?

"If you were a lady, rich men would lust after you." The remark is almost indifferent, a correction. Grantaire has noted the girl's agitation regarding his so-called scorn, but this time feels no particular remorse. The girl is sensitive; that is her matter. His own concern remains tied to her earlier revelations.

Regarding the rest, he is slightly more mindful. The girl has seen and shouldered through much, and in any case, it is better for his own cause to keep from pushing her away entirely. "But it is not my place to illustrate your life. The situation confounds me, but if the arrangement is to your liking, what right have I to intercede?"

All of the right in this world or any other, but he'll let it pass for now.

"Well, then, lust. Still, they would look and smile, and bring me gifts and try to win my favour. Perhaps they would stutter through their speeches of undying love for me. They would offer me an arm as we minced through the streets, instead of laughing or crossing the street to avoid me. That is what Hattie can show me."

She smiles sadly, forging ahead so she can keep her back to Grantaire.

"Is lust so bad, M'sieur? I do not think it is."

She ducks down a little opening.
"Now this one, never at night, M'sieur. Monsters lurk here, and they will try to eat you. It is best not to go out once the sirens sound, but if you cannot help it, stick to bright areas."

She chatters on like this for the half hour of walk, talking about the monsters she's seen. As they get closer, Eponine can't go through alleys; they don't exist near Hattie's house. Instead, there are leafy trees and wide streets. Hattie's house sits by itself, surrounded by a pretty garden. It's a two storey affair, and looks relatively modest on the outside.

"You must be very quiet now, M'sieur. Hattie doesn't know you're here. We will go to the kitchen so I can clean and you must say, if you do not mi nd, that we are old friends, and you heard I lived here. If she comes."

It's almost charming, the way the girl imagines lust and love. Let her have that as well; if it keeps her going, why should she not have her ignorance, otherwise called her dreams? He won't believe it, but his own lack of belief has hardly left him any better off. To see life is not to live in joy or even believe in its possibility.

Closely trailing after the girl, Grantaire half-listens to her talk, gaining a slow appreciation for the warnings regarding darkness. Save for in brief responses, he doesn't bother to speak; she seems perfectly content to talk away, and he isn't about to throw her off again. Not now.

When they reach the house, he half-shrugs at her instructions. "Yes, of course. The very oldest." He wasn't certain that being 'very quiet' was a possibility, but they would know with time. What mattered for the moment was moving inside and prompting her to share as much as she could.

Eponine opens the front door, looking carefully for Hattie, before beckoning Grantaire in. The hall is wide and impressive, with marble floors and glittering chandeliers and a big, sweeping staircase. Eponine's bare feet make no sound as she goes to the far end and opens a wooden door. Again, she beckons to Grantaire, urging him inside before shutting the door.

The kitchen is huge, though more rustic in style than the hall. The lighting is soft, and the furniture is all wood with jints of marble. A large scrubbed table stands in the centre of the room, surrounded by chairs. Eponine puts the wine down, and fetches a glass for Grantaire.

"You would like food? Cake? Or fruit? Or eggs?"

She picks up a pail by the table, and sticks her hand in. "Cold. I must boil a kettle again."

She fills the kettle snd sets it to boil, Before turning to Grantaire.

"Now you may speak."

An impressive home, indeed, though Grantaire has glimpsed enough glorified living spaces to pay it little mind. (It is rather interesting to see the once-beggar girl so at home here, but he notes this only as a removed aside.) He takes the glass readily, pours, and drinks while she prepares. Food would be a good idea at some point, if he can remember, but for now he cares only for words. And as he pours again, she opens the gates for speech.

"You say that Enjolras has been... enslaved." Hard to say, hard to comprehend. Grantaire drinks again. "All of this is new to me; o brave new world, indeed. You must say again how this happened, and where he is. How he might be reached. And is he... Is he well?"

As he doesn't say anything about food, Eponine pours the boiled water into the bucket, tops with a bit of cold, and adds soap and bleach. Having done that, she heaves it back to where it had originally stood, and sits down on her knees next to it.

"Yes. He is enslaved." She picks up her brush and plunges it into the water, before beginning to scrub the floor.

"Well, M'sieur, I will start at the beginning. There are two companies, that people say are equally evil, but that I do not know about. There is SERO, and AGI. Now SERO, I have nothing to do with; it is for the educated, the people who know of magic and science. But AGI - they cater for everyone. They run - and excuse me - they run the brothels and the prostitutes and the newspapers and such things called 'televisions'.
When I first came, I was taken there and told I was to work there."

She looks up, gaging his reaction.

"You can judge me for that, but I had no one, and nothing. I needed somewhere to stay, and I was already known as a thief. Nobody would hire me. But whilst I was there, I saw that there were people worse off than me. They were chained and drugged and given the worst jobs. Some jobs - they were not pleasant. They were -"
She shudders.
"-But what they had to do... No. Far worse than me. And so when M'sieur Enjolras came, he made me come to him and I was telling him this, and he wanted to help the slaves. I said..."

She told him she'd help, because he was Marius' friend. Eponine crawls forward into the patch she had scrubbed, scrubbing the next bit of floor now."

"I said I would help, and that I could get him the key for the slave quarters and he could free them. Only, he did not wait, and he was arrested and sold at the slave markets. And somehow, my boyfriend ended as his master. I didn't know though, but I was told he was a slave and so I thought I would help him, so I broke into the club, where I was told the papers were - but I was caught as well. I was fired and now they look for me to step out of line. If that happens..."

She looks up at Grantaire. "Well, I do not know. Sold or kept chained in their club, I suppose."

The talk of her work he largely shrugs off. He has no particular inclination to judge... The world offers its hardships, and survival occurs as it must. What is one profession over another? In theory, they seem to equate to the same resounding zero.

By the time the girl pauses, Grantaire hardly knows where to begin, so he starts by grabbing the bottle and glass and moving to the floor, where he can watch the girl more closely. He's already something of a mess; what harm can it do? Such conversations are ill-suited for distances. And why is she insisting on cleaning the floor right now? There may be a reason, there may be a fear, and Grantaire doesn't push it, only wonders.

After all, there are other matters to address. He can see the situation now, or at least set forth some version of it (some of the words still don't make sense, after all). If it seems absurd, accept it anyway. Nothing can be done until he opens to its unknown, so-called logic.

It isn't hard to picture Enjolras's reaction to this world. Nor is it difficult to believe that he recruited this girl in pursuit of an impulsive cause. From one to another...

But there is something else. "What a lovely girl, to have taken such risks. Enjolras is fortunate to have had you fighting for his freedom." There is honesty somewhere in the statement, but Grantaire can't believe that the girl acted entirely without aim, though he is unable to identify what that might be. "But does it extend so far as the sacrifice of your own freedom? What man or woman would willingly choose chains?"

Another drink. "Still, you may speak, and speaking may move worlds." That's a laugh. Grantaire half-smirks, but carries on. "And you will be rewarded, and all who bask in heaven's light will be rewarded. Only speak more, give words and so shed understanding. I must know where to find Enjolras and how I might contact him." With all of these devices and incomprehensible practices, there must be a way.

Something else. "And I pose a question: Is this man, this master still your lover?"

Edited 2012-12-21 08:19 (UTC)

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